“Scene I” (Whale)
Enter the hump backed whale, stage right, slowly through the dead of night… A copperplate etching with aquatint and embossing. Ronan gave me a wonderful
Enter the hump backed whale, stage right, slowly through the dead of night… A copperplate etching with aquatint and embossing. Ronan gave me a wonderful
This was a fairly early etching on my ‘printmaking journey’. Stopping out was more meticulous than my eyes allowed for, especially with the studio gloopy
Another Hogweed copper plate etching (See ‘Hogweed II’ here)! A distant relative (who I never met) was an artist, and as a child I was
I used a pencil sketch of Ronan (my son) to learn how to use the solar box-in-the-corner-of-the-print-studio. Ronan graduated from Duncan of Jordanstone College of
I enjoyed drawing this tree, it took a wee life of its own after the start. I love it when that happens! It’s a less
I liked this tree – the shape is really pleasing. Don’t trees have character! Sometimes some of them just ‘speak to you’! The tone of
I decided to do a wee series of copper plate etchings of trees. This was the first one. I took it from a distinctive oak
In my quest to master a lovely graduation of tone through aquatint, I tried a coffee lift on the background of this plate. I have
Wee honesty – a copper plate etching, with aquatint. Smaller than its big cousin, “Honesty”, it still represents the shadowy forms of the seedheads in
Honesty… This began as a study of the honesty my partner, Malcolm, brought for me one evening as he was waiting to chum me home
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